In ABSTRAZIONE used a digital adaptation of the traditional "pinhole" photography technique. By meticulously perforating the cap of my camera and crafting a small aperture covered with aluminum foil, I was able to allow light to enter in a distinctive manner. This method bypassed the conventional lens mechanism, creating a unique interaction with light and subject matter.

I focused my lens on glass containers, meticulously capturing their intricate textures and the ethereal transparency of the objects. The images produced were characterized by their diaphanous quality, bringing forth the subtle interplay between light, form, and material.

This experimental approach seamlessly merged the digital realm with traditional photographic techniques. By doing so, it produced visually compelling results that delve into the nuanced interaction between illumination, structure, and clarity. The outcomes of this method demonstrate a novel exploration of photographic possibilities, highlighting the dynamic relationship between contemporary technology and classic photographic practices.